When you first glance upon the works of this man, you may find yourself questioning which medium you are observing — Keever is actually a photographer and has mastered a technique completely his own that you will soon come to fully understand. Abstract b 5 C-print 27 x 24 The amount of images I take would translate into an incredible amount of film expense. He eventually moved onto a gallon tank, which he uses now. Upon raising my arms, I casually fly along a few hundred feet above the ground. Are they on canvas or print on paper?
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Check your inbox or spam folder to confirm your subscription. I always give credit to all imagery used. As you have no doubt already concluded on your own, Kim Keever kfever much room to chance when creating his pieces — the artist himself delightfully explains the benefits of such an approach: He decided to start experimenting with painted water and his unique approach proved to be a hit.
KIM KEEVER – Waterhouse & Dodd
I was delighted to find that you too have a wordpress blog! You are commenting using your Facebook account. As an overture that led to his photography, Keever spent nearly two decades as a traditional painter and printmaker until he discovered the style and subject that would become his trademark in the year of Feel free to contact him via his Linkedin profile: January 16, at 4: Is it possible to order online?
Investing in the digital system allowed Kim to continue creating large prints with the added benefits of a speedier workflow, fast flash sync and other advancements of Hasselblad digital medium format cameras. Instead of simply joining some of the popular movements thriving in New York, Kim desired something more personal than that, something more individual and unique in character. Ole Marius Joergensen Vignettes of a Salesman. Yet he has always drawn on his original vocation by retaining a scientific and investigative process in his work, while at the same time displaying an astute awareness of historical landscape art.
Keever started his career in the midst of The New York City of the s, in a time that Andy Warhol was taking the world by storm and the emerging art of subway graffiti was at its arguably highest peak. The resulting evolution of that early technique that Kim stumbled across gave rise to his immensely captivating abstract project. Abstract b 5 C-print 30 x 25 in 76 x Kim Keever Painting or Abstract Photography?
keeve Though I continue to make new landscapes, in the past few years I have been concentrating on images in the areas of figuration and abstraction, all within the confines of my large ekever filled aquarium. March 28, at 7: You are commenting using your WordPress. Abstract b 5 C-print 27 x 24 Log in or Sign up. Of course, next is the dreadful process of cleaning the tank of all the colors so that the whole set could be prepared for a new session.
Guided by is father, he always aspired to be an inventive technician — with these goals in mind, Keever studied Engineering at Old Dominion University in Norfolk, VA. The images below are formed by paint being allowed to free flow through the water and form volumetric patterns. You can see more along with studio views at http: The American artist Kim Keever can be described as a modern-day hydroponic equivalent of Jackson Pollock — instead of a canvas, though, Keever drizzles paint into a gallon fish tank, creating some great effects while doing so.
Majoring in art history, he is an expert on avant-garde modern movements and medieval church fresco decorations.
The experience is exhilarating but eventually telephone poles and wires appear and make my route more and more difficult to navigate. March 27, at 4: Although he was learning about physics at the time, little did Keever know that this experience would klm a vital part of his subconsciousness and reappear later in his life in a completely different form. Although his vocation changed radically, he has always drawn on his original occupation by retaining a scientific and investigative process in his work, as you will soon come to see.
This new method produces a rather flat surface to the photograph instead of the nineteenth century depth of the landscapes. Login using registered account Remember me on this computer Forgot Password.
Gabriel Isak Black and Blue Dimensions. The wires and vertical shapes remind me of a repeating dream.